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Electro-Voice TR7-2 Line Matching Transformer – Vintage Audio Equipment
Quick, Convenient Installation. 0.5w – 1248ohms. 1w – 624 ohms. 2w – 312 ohms. 4w – 156 ohms. 7.5w – 83 ohms.
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Shure A95UF Microphone Impedance XLR Matching Transformer w/ Box & Clips RE
In case anything is not as expected, we’ll make it right. Feel free to ask about ourunlisted inventory, special requests or anything else you’d like to know. Did you know?.
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Shure A96F Camcorder Interface Cable/Transformer – New Old Stock, Free Shipping
The A96F can be modified for microphones rated at 150 ohms. This modification is only necessary if the output level from the A96F is insufficient for your recording device. We were a Shure dealer for many years.
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Livewire SSQXFHZ Microphone Impedance Transformer 250-50k
Livewire SSQXFHZ Microphone Impedance Transformer 250-50k . Condition is Used. Shipped with USPS Ground Advantage.
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AMI TR42 Ribbon Transformer Microphone Transformer Tab-Funkenwerk 1:40
Specifications For AMI TR42. TR42 Schematic.
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RAYMER LMT-150 Wired Line Matching Transformer 3 Pin To 1/4” Jack Microphone Amp
You’re buying the exact item pictured. Item works as it should. It’s used/preowned and shows some light signs of use/wear. PLEASE SEE ALL PHOTOS! Questions welcomed We package properly and ship FAST 💨 NEW ITEMS ADDED DAILY! We have lots of great items available. Check out our other listings 😊 Thanks
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Rupert Neve Designs RNDI-M-PAIR-K Bundle of 2 Direct Box With Active Transformer
This bundle includes a pair of Rupert Neve Designs RNDI-M Direct Boxes. Rupert Neve Designs RNDI-M-PAIR-K Includes. Rupert Neve Designs RNDI-M-PAIR-K Features. Rupert Neve Designs RNDI-M-PAIR-K Specifications.
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CP8201 Microphone Impedance Matching Transformer
Audio-Technica CP8201 Overview. TheAudio-Technica CP8201 is an in-line low to high impedance barrel adapter for connecting microphones to 1/4″ phone line-level inputs. The barrel adapter features XLR input and 1/4″ phone output connectors.
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Rupert Neve Designs RNDI-M Direct Box With Active Transformer
Rupert Neve Designs quality isn’t just for studios anymore. The Class-A design avoids crossover distortion, preserving the integrity of your tone while subtly enhancing it with musically rich second and third-order harmonics.
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